‘Boorman and the Devil’ Review: The Making of John Boorman’s 1977 Disaster ‘Exorcist II: The Heretic’ Becomes a Documentary So Unbelievable It’s Funny
You might call Boorman’s fortitude admirable, but you could also call it delusional. And it lends "Boorman and the Devil" the quality of a true-life Christopher Guest movie. For this is the unintentionally funny story of what happens when utterly unhinged and high-minded hubris b
The documentary "Boorman and the Devil" tells the story of John Boorman's 1977 film "Exorcist II: The Heretic," which is often cited as one of the worst sequels ever made. The film's production is a fascinating case study in creative hubris and disaster, and it's clear that Boorman's unwavering dedication to his vision, no matter how misguided, is both captivating and cringe-worthy.
What's interesting here is how this story speaks to the dating world, albeit tangentially. The themes of obsession, ego, and the blurred lines between reality and fantasy are all relevant to the dating experience. Just as Boorman's unyielding commitment to his artistic vision led to catastrophe, so too can an individual's fixation on a romantic partner or a desired outcome lead to chaos and heartache. The documentary serves as a cautionary tale about the dangers of unchecked passion and the importance of humility.
As the documentary world continues to evolve, it's clear that audiences are hungry for stories that are equal parts bizarre and fascinating. "Boorman and the Devil" is a wild ride that's sure to appeal to fans of films like "The Disaster Artist" and "Burke & Hare." For dating enthusiasts, it's a reminder that sometimes the most compelling stories are the ones that are a little bit messy and a lot unpredictable. Keep an eye out for more documentaries that explore the intersection of art, ego, and catastrophe – and be sure to swipe right on any dating profiles that seem too good (or too disastrous) to be true.
Originally reported by variety.com. DatingNews adds analysis for culture, style & media readers.